Monday, October 29, 2007
The Great Movie Round Up
Thursday, October 25, 2007
Review: In Defense Of The Genre
I'm having trouble writing a review for this album, more than likely because I cant stop listening to it long enough to concentrate, so I will make this short. Say Anything's follow up to the great "...Is A Real Boy", is an amazing album that continues the musical tradition of defying limitations as well as expectations. "In Defense of the Genre", a double disc concept album, tells the story of singer/lyricist Max Bemis falling in love for the first time and ultimately losing that love. The story is split up between two CD's and makes for a completely different experience for each CD. The first CD is a great display of the musical range of Say Anything, with more musical style packed into the first four songs than most bands have in an entire album. While the second CD is more of a straightforward approach to music, with a less upbeat mood than the previous. While the second CD is a very good, it comes up just short of being as great as the first. Bemis provides great vocals, showing off great range in songs such as "That Is Why", along with some extremely well written and diverse lyrics. This is the album that will more than likely end up at the top of my list at then end of the year; it is an amazing album that has at the very least equaled the great album that preceded it.
Noteable Songs:
Skinny, Mean Man
No Soul
That Is Why
This Is Fucking Ecstacy
Shiska (Girlfriend)
Died A Jew
Vexed
About Falling
Ratings
First CD: 9/10
Second CD: 8/10
Entire Album: 9/10
Tuesday, October 23, 2007
Holy Kubrick!
Saturday, October 13, 2007
Movie Pick Of The Week #2
This is movie that I remembered greatly after seeing the first time. It stayed with me for weeks after my first viewing. I had it in my top 5 movies of 2006 and I have the poster on my wall. When I bought the DVD though, I just never got around to watching it again. It wasn't that I didn't want to watch it, I just had other things come up. The more I thought about it though, the more I felt compelled to watch it. So I finally watched it for the second time and I have to say, it was much better than I even remembered.
This is a movie that commands your attention and will ultimately get it. The story is fairly simple but deeply layered. The year is 2027 and the world has become infertile. No babies have been born for 18 years and most of the world has fallen to chaos. Britain appears to be the sole standing society, but is teetering on the brink of chaos itself. Theo, played by Clive Owen, is contacted by his ex-wife Julian, played by Julian Moore, and asked to get some transit papers to transfer a young girl named Kee across the country. Julian is a leader of a rebel group that is fighting for immigration rights, for in the Britain all immigrants are hunted down and deported, jailed or killed. Hence the need for the transit papers, for Kee herslef is an immigrant herself.Theo agrees to help and joins them on their journey, for the only transit papers he could get were joint papers in his name. After a sudden attack, Julian is killed, leaving Theo and Kee alone with the rebel group. They are taken to a safe house, where Theo discovers that Kee is pregnant and is trying to reach the Human Project, an alleged team of scientist that are searching for a cure to infertility. Theo also discovers that the attack that killed Julian was actually orchestrated by the rebel group in an attempt to keep Kee with them, so that they can use her baby as a political figure to aid them in their fight. Theo helps Kee escape and the two set off to meet the Human Project, while being hunted by the rebel group.
What makes this movie so amazing is how atmospheric the world created by director Alfonso
Cuaron really is, and his ability to draw you into it. His direction in this movie is some of the best that I have ever seen. The attention to detail that is given in this movie is astounding. If you pay attention to the background during the movies multiple long takes, you will notice the world behind the characters is just as much alive as they are. Along with the great direction, this movie has some of the most astounding cinematography, and certainly the best use of the steady cam since "Saving Private Ryan".Whats great about the long takes in this film is not only how long they go on but also how they are never boring. Everything that is fit into these long takes is done so perfectly well that it grabs you and never lets go. This is thanks not only to the great direction by Cuaron but also the the great performances given by the actors. Clive Owen gives a brilliant performance as Theo, and I say brilliant because it is a real portrayal of a character. Owen plays Theo in a way that makes him real, nothing more. It's not a flashy or commanding performance, that makes you feel you are watching a great actor rather than a character, but one that you can truly believe is a real person.
Many people think that this movie is political in nature and that the backdrop of immigration is truly the message of the film. I believe that Cuaron's aim was much broader than politics but rather humanity in a global sense. I feel that his story deals more with the selfishness of man and his choices. The issue of immigration in the film is more of a device to show how selfish the world has become. The last remaining society has decided that they are only going to help themselves and any outsiders will be left to fend for themselves. The rebel group who fights for immigrant rights would rather use Kee's baby for their own gain, rather than help her reach the Human Project where her baby could be delivered safely.
Notice how the Human Project itself is questioned throughout the entire film, because nobody has actually seen them or knows if they are even real. In a world that is at war and every side thinks only of themselves, the thought of a group of people that are actually doing something to better the whole world cant really be believed. It's also to note that every person that is good in nature in the film, and tries to help Theo and Kee, lives in hiding. The last bit of good and selflessness in the world has been forced into hiding. Cuaron paints a picture of a world that has been consumed by selfishness and evil, where good people have to hide and are always in danger of losing their lives. But he leaves his world not without hope.There are many symbols in this movie, such as the fact that Theo goes most of the movie without shoes and every animal he comes into contact loves him; but the most obvious symbol is of course Kee's baby, as a symbol of hope. Notice the wonderful scene towards the end of the film when Theo and Kee carry her baby out of a building in the middle of a battle. Everyone puts their guns down at the sight of the child and for a brief moment, there is peace. The soldiers and rebels think not about themselves or their war, but are awestruck by the sight of the baby and the hope that it brings. It is only once they pass through the group of soldiers that the war begins again. It is a beautiful moment, capable of sending chills through my body every time I see it. It is this moment that I feel embodies everything Cuaron is trying to say. The world needs hope and a world without hope is not a world worth living in. People must be willing to fight but for hope and for the betterment of the world, rather than selfish reasons.
I urge you all to go and see this movie. Even if you've already seen it or you didn't like it, go watch it again. It is a movie that grows on you and stands above most films being produced these days. It deals with issues bigger than itself and succeeds in everything it tries to do. It will draw you in and and entertain you, as well as give you more than enough to talk about. I urge you to watch it and discuss it; there is certainly something there to be found by everyone.
9/10
Thursday, October 11, 2007
How To Be A Movie Snob
- It's all about language my potential movie snobs. To be a true movie snob you must move past words like "Awesome" and "Great". Turn those childish Micheal Bay loving words into true movie snob language with phrases like "Bergmanesque" and "Self Indulgent". If you really want to succeed at being a movie snob, I would suggest investing in a thesaurus. Use it to change all of the words with 1 0r 2 syllables, into wards with at least 4.
- Be outward with you opinion. If it seems like someone doesn't want to hear what you have to say, it's only because you haven't let them know how right you are yet. Don't be afraid to but in either, even if you don't know the person. They'll thank you later. Also, if you are standing in line for a movie line, that's the perfect time to speak very loudly so that everyone can hear you opinion, just like in Annie Hall. If they were real movie snobs, they'd thank you for the reference.
- Don't forget to be subtle about your opinions either. I for instance have two T-shirts that express my movie snobbery. The first has the logo for Janus Films (if people ask what it is, I laugh) and the other features the logo for the Criterion Collection (if people ask what it is, I also laugh). Find ways to be subtle about it, i suggest ordering merchandise from places such as criterion.com. This lets everyone know that you not only know more than them about film, but you love it so much that you'll wear it on your body.
- If the movie has explosions and the director has never even been nominated for an Oscar, you HATE it. Especially Micheal Bay.
- If the movie even looks like Uwe Boll was apart of it, then you have to laugh like Tom Hulce in Amadeus. If you don't get the reference, just give up, you'll never be a real movie snob.
Well that's all for now. Start by putting these guidelines into effect and doing some research into various films. To be continued.
Wednesday, October 10, 2007
Time Machinestein

Saturday, September 29, 2007
How Not To Get Laughed At When Shopping At Best Buy

Thursday, September 6, 2007
The Greatest Bands That Never Were
Idea #1
Band Name: The Ever Growing Darkness
Sound: Emo/Acoustic
Sample Lyrics: (Just imagine the most emo lyrics you can think of)
Reason For Failing: I slowly figured out that women who go for lyrics about killing yourself sung by some douche bag with bleached black hair aren't exactly what the Health Department would call "clean".
Idea #2
Band Name: Fall Out Man
Sound: Emo/Punk/Pop
Sample Lyrics: We're going down down; In an earlier round; Sugar we're going down swinging; I'll be your number one with a bullet; A loaded God complex, cock it and pull it
Reason For Failing: The idea behind this band was to bring the groundbreaking sound of Fall Out Boy to the local masses, it fell apart when I found out about something called a CD.
Idea #3
Band Name: The Movies
Sound: Indie/Acoustic
Sample Lyrics: I see dead people when I close with my eyes; I see dead people when I realize; That Bruce Willis was never alive; He was always dead and when he was having dinner with his wife she was really just talking to herself because she was drunk and not actually talking to Bruce Willis
Reason For Failing: When over half your songs are about movies that most people haven't even heard of because they are too busy watching stupid ass shit like Sleepover and you let them know how dumb they are for it, people wont really listen to your single about Citizen Kane.
Idea #4
Band Name: The Quotables
Sound: Indie/Acoustic/Historical
Sample Lyrics: Ask not what your country can do for you; (Chant) Ask not, Ask not; But what you can do for your country; (Chant) What you, Can do
Reason For Failing: There isn't a big crowd of people who want to hear Hitler's "Blame The Jews" speech set to an angst ridden folk guitar breakdown.
Idea #5
Band Name: The Lord Of The Strings
Sound: Acoustic/Pop
Sample Lyrics: You shall not pass, I have a beard; You shall not pass, I have no fear
Reason For Failing: Someone beat me to it.
...Is Badass
Clive Owen is easily the biggest fucking badass working in the movie industry today and I will defend this to the death. I have seen a many of films on the sole fact that they feature Clive, I'm going to call him Clive because that way I can pretend we are best friends, and I've liked them all, even King Arthur.
#5: He Saved Sin City
Watching Sin City again, I realize that it really isn't that great of a movie, but one things carries over from every viewing and that's Clive's badass performance. He is without a doubt made to play this type of just badass, "Don't fuck with me" type of character. It's character that has me going back to Sin City for more and thankful that the DVD features his portion of the film separated from the rest of it.
#4: Children Of Men
Children of Men is an amazing film and definitely one of the best films of this decade, but I think a lot of that is due to Clive's performance. He carries that movie on his back and molds a character that is real, someone that had me cheering for him the whole way through. It was a real shame that he did not receive more recognition for this performance, but for me it only proved how badass he is.
#3: The Voice
As gay as it may sound, Clive Own has one of the best voices that has probably ever been recorded. The man could read me fucking Dr. Seuss and I would say that it's cooler than Pulp Fiction. His narration in Sin City was the perfect noir narration of that movie or any movie, and his monologue with Del Toro in the car is awesome for the sole fact that any word, sentence, or monologue that man delivers is cooler than an ice pack on the bruised chest of a man whose ass he just got done kicking. Not to mention that fact that it's a British accent, and not one of those gay ones either.
#2: His Mad Acting Skills
Clive is a very gifted actor who can deliver a line so subtlety that you can barely notice that he is so mad that you are about to get your ass beat in. Take for example the clip below, I've haven't seen this movie yet but watching this clip made me want to go out and buy it. Clive drew me into the scene and then at the end gave me that badass moment that makes me punch my hand in awe of it all. I know it's a little long but watch it all to get the full effect because the last 10-30 seconds kills.
Friday, August 31, 2007
Review: Scream And Light Up The Sky
Artist: The Honorary TitleRelease Date: 28 August 2007
Sounds Like:
Dashboard Confessional
Bright Eyes
Feeling a little let down, I went on with my day as normal. After about 2 hours though, I found myself humming. Then I found myself singing lines that I didn't even know. I went back to the CD and began listening to it again, this time finding myself liking it more. I listened to it a third time and found myself enjoying it more. The album had grown on me and I began to see what I missed the first time.
The same sound was there underneath the new one, it just sounded more mature. The music on this album is strong and memorable. The Honorary Title has a distinct ability to craft music that sounds so classic, you will swear that you are listening to something that was made decades ago but is still original in it's own right. This helped a great deal by the vocals of lead singer/songwriter Jarrod Gorbel, who is without a doubt one of the best singers recording today. My only gripe with his vocals on this album would be that it's missing those epic moments from the first album where he would cease to sing and just yell, which is just as amazing as when he sings.
The album is also wonderfully arranged, something some bands need to learn about. They made the smart choice of putting the weakest song first and following it up with one of the strongest. After that first track this CD takes off and doesn't stop until it ends. The Honorary Title has moved on to a more mature and full sound that shows in their music as well as their lyrics. This is an amazingly strong CD that has and will continue to grow on me, coming just a little short of the original.
9/10
Saturday, August 25, 2007
The Moral Decay Of Society

Being the hectic week it had been, my car was low on gas. So I pulled into the nearest gas station and walked inside to pre-pay, because not even Americans trust Americans these days. I was dressed in a black Say Anything shirt (I have to represent), tight (but not too tight) jeans, and a hat. Obviously, my Sunday best.
As I walked in to pay I received a phone call from my lovely girlfriend Kate, I instantly answered it. With one hand tied up in my conversation, I proceeded to pump my gas in that weird one-handed way the people on a cell phone do. Once my gas is finished pumping I place the pump back in it's holder and turn around to screw my cap back on my tank. As I turn around 2 men drive by in a beat up truck and the man in that passenger seat shouts at me, "FAG!".
I was so taken aback by this ludicrous accusation that I couldn't look away. This man and I shared a 5 second long staring contest as he drove by me. He gave me a death gaze that can only be compared to what I imagine the devil's eyes would look like. It was very much like a scene from a movie where two white cops drive by a black man walking along the street and they all share a slow motion stare that last forever, kind of like in Do the Right Thing.
I felt violated by this man, so much so that I wasn't even able to listen to what my girlfriend was saying to me. Me, a fag? Can this be true and if so, why? Why would this man single me out of all the potential faggots at the gas station for his verbal hatred? Could it be because I was the only that was wearing a shirt with sleeves, if at all, and not driving a car the looks like something Bo Duke would drive in a high pursuit chase?
People like this man need to realize that just because a person is not a "red neck" does not make them a "fag". People like me, who are caught in between those two terms are generally called "normal" and we "normal" people have suffered too much prejudice. It's time that America realized that a "normal" person is just like everybody else and does not deserve to be called a "fag". In fact, nobody does.
Friday, August 17, 2007
The Horror Returns

What really bothers me about this series of travesties is that they have become so popular for really no reason. I've seen this plot in over 20 dozen crappy movies before and the acting in these is so mind numbingly bad that I actually longed to watch "House of the Dead" or "Alone in the Dark" instead of the 90 seconds that I sat through of High School Musical. People are calling this the next Grease! Seriously? Grease was at least entertaining. It reached a demographic that wasn't in training bra's.
Trovalta. Now here, here is where you really lose me. Now, sure, every actor is going to make a bad movie. I mean, Travolta made Battlefield Earth, but atleast he wasn't stupid enough to return for a Battlefield Earth 2. Zac Efron not only returned for a second High School Musical, he acted in Hairspray. Now, don't get me wrong, Hairspray was an enjoyable movie but Efron was far from being the best thing about it. Efron needs to show his range as an actor but right now I really can't imagine this kid doing anything other than singing show tunes. I mean, could you imagine Efron as Vincent Vega? I shudder just thinking about what kind of a hell that world would be.
God Help Us.
Movie Pick Of The Week

Gabazooba started with me wanting to pick a different movie every week and not just review it, but analyze it. I wanted to pick movies that struck a chord with me that I thought most of the people I know hadn't seen or at least heard of. Then I thought I could bring on some friends and turn it into something a little bigger. Thus, Gabazooba was born. But when it came time to write the first of my weekly movie pics, I was at a loss. I wanted to choose something I thought would be easily accessible or maybe a little popular. Then I saw "Crimes And Misdemeanors" and while I liked it a lot I didn't think it would be the right choice. As time passed though, I couldn't seem to get it out of my mind. It was a powerful film that had stuck with me and ultimately became the choice for my first film to write on.
"Crimes And Misdemeanors" tells the two juxtaposing stories of Judah (Martin Landau) and Cliff (Woody Allen). Judah is a successful opthamologist who's mistress of 2 years, Dolores, decides that she is ready to confess to his wife. Judah, who is well liked by everyone he knows and still enjoys a great marriage with his wife, isn't very happy with her decision and tries to change Dolores' mind anyway he can think of. This only angers her more, pushing her to not only confess about the affair but also how he has embezzled money out of his practice. He confides in a long time friend and rabbi, Ben, who he is treating for an eye disease that is causing him to slowly go blind. Ben urges Judah to confess his infidelity and hope for forgiveness. Not wanting to risk his reputation, Judah turns to his brother Jack, who leads a far more criminal life. After much contemplation, Judah decides to have Jack set it up so that Dolores is killed.
Intercutting this dark tale is the much more lighthearted tale of Cliff, who is struggling with an
ending marriage and documentary career that never really took off. When his brother in law, Lester, comes into town Cliff is asked to direct a PBS documentary on Lester as part of their "Creative Minds" series. Lester is a succesful TV writer/producer who Cliff despises because he thinks that his works is intellectual dribble, but takes the job to fund a project he is truly passionate about. While working on the documentary Cliff and Lester both meet Halley, whom they both make advances toward."Crimes And Misdemeanors" offers a bleak look at humanity, along with it's relationship with God, and does so with poetic flair. Take for instance the scene in which Judah, unable to sleep, wanders his house in the middle of the night having an imaginary conversation with Ben about whether or not he should have Dolores killed. Alone in the darkness of his own home, as well as his mind, Judah confesses "God is a luxury I can't afford". He has Dolores killed and suffers the guilt. Remembering the words of his very religious father "The eye's of God are always on us", Judah feels that his punishment as a guilty man is soon near.
Woody Allen, along with famed cinematographer Sven Nykvist, has crafted what I consider a masterful film of deep, important, and philosophical themes on par with the "Seventh Seal". Notice how Allen and Nykvist film the movie by setting up the scenes and just letting the actors make the most of them. When a scene begins, the camera is on a character and it follows that character, along with others in the scene, with such grace and subtly that you almost don't notice the fact that you are watching one long take after the other.
"Crimes And Misdemeanors" offers many questions on justice, morality, humanity, and the existence of God. It answers them in the bleakest manor but I won't speak of that because I don't want to spoil the film. I will say that it is a great movie with beautiful cinematography, wonderful acting, and a phenomenal story. If you are interested in philosophy and questions larger than those posed in most films today I highly recommend it. I encourage everyone who reads this to rent it, download, or even buy it (if you really trust my opinion) and comment back. Lets start a discussion.
8/10
Wednesday, August 15, 2007
Review: Rescue Dawn

Monday, August 13, 2007
Welcome To Jared

Hello everyone, my name is Jared. I work at a certain electronics store you probably know as Best Buy. I have an amazing girlfriend named Kate. I have 3 great best friends who all write with me on this site, and my biggest interest is movies. Over the course of time that we will be spending together on this lovely site, you will learn alot about me so I shall stop with the introduction and leave a little mystery. Until next time, enjoy Gabazooba.












